here is the 2nd 12 inch with cuts from the forthcoming grooveman spot 3rd solo project album >runnin pizza<. this 2nd 12inch has some nice beatdown vibes going with a hip hop aesthetic.

early support from locodice, matthias tanzmann, gregor tresher, dubfire, nic fanciulli! new japanese dance music label, arpa records is launching as its first release very own label boss dj sodeyamas techno track >miles<. previously having released on respected labels zenit, ante zenit and more recently on labels archipel, kumo, we are, dj sodeyamas tracks feature a wide range of musical dimensions and have gained much credibility and interest from djs worldwide. the original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by richard spitzer and a deep but solid synth groove. 8bit and cecille label boss nick curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.

incl maxi cd! es ist eigentlich purer zufall, dass sich markus homm und julien sandre wiedersehen. eigentlich kennen sie sich nicht, haben zwar voneinander gehoert, standen sich jedoch nie persönlich gegenüber. erst auf einer voe des hamburger labels diynamic im jahr 2009 kamen sie zusammen, als sie jeweils einen track zu dieser scheibe beisteuerten. nun sind sie wieder gemeinsam auf einer platte zu hoeren. dieses mal auf dem label brise records, wobei es einen kleinen unterschied gibt - sie teilen sich jeweils eine seite. während julien sandre (diynamic, natural rhythm, monique) die a-seite mit zwei techhouse-granaten besetzt, entert markus homm (highgrade, diynamic, ostwind) die b-seite mit zwei überzeugenden groovern. deswegen auch die perfekte kombination aus sympathischem franzosen - julien - und stilvollem deutschen mit wurzeln in rumänien. heraus kommt die tour de carpathia, zu der brise records hiermit herzlich einlädt.

dj pepo presents: inspired! pepos own label to release his consistently evolving techno sound. dj pepo is one of the pioneers and most quoted djs of spains techno scene. each booth pepo touches with one of his naturally electric sets is filled with both rhythm and force, dazzling audiences all over spain. speaking of pepo is to speak of an authentic reference of spanish electronic music who has had a hand in the scenes history and evolution. he is a time bomb in the shape of music, getting richer with age and improving on each and every set with unexpected technical manuevers that jolt audiences alive and bathe their senses with musical delights this release is a showcase of his pumping big room techno with the sharp edge, backed up by 2 tracks from his friends a.paul and event 7 this is one 4 tracker ep you just cant miss out on!

with her self titled debut, ana helder bolts out the gates with the comeme party approved classic >complicado< - a morphed track of epic proportions that bring the dive of menacing techno together with the fine line that lies between disco and house. >buena punteria< is extreme body music with a tremendous strobe lit inducing rhythm. >el groove de tu corazon< is full of life - a special track a good dj knows how to use and create a magical moment during the night. >next club< is a frenzy. the inevitable and seducing bass line, anas vocal with the grooviness of chicago house and colombian champeta, making this tune the likely candidate for the most obviously dance floor _hit_ on her astounding debut ep.

new edits label from up & coming henry greenwood

played by loco dice, dubfire, dj t., felipe venegas, anthony collins and many more. es ist eigentlich purer zufall, dass sich markus homm und julien sandre wiedersehen. eigentlich kennen sie sich nicht, haben zwar voneinander gehoert, standen sich jedoch nie persönlich gegenüber. erst auf einer voe des hamburger labels diynamic im jahr 2009 kamen sie zusammen, als sie jeweils einen track zu dieser scheibe beisteuerten. nun sind sie wieder gemeinsam auf einer platte zu hoeren. dieses mal auf dem label brise records, wobei es einen kleinen unterschied gibt - sie teilen sich jeweils eine seite. während julien sandre (diynamic, natural rhythm, monique) die a-seite mit zwei techhouse-granaten besetzt, entert markus homm (highgrade, diynamic, ostwind) die b-seite mit zwei überzeugenden groovern. deswegen auch die perfekte kombination aus sympathischem franzosen - julien - und stilvollem deutschen mit wurzeln in rumänien. heraus kommt die tour de carpathia, zu der brise records hiermit herzlich einlädt.

upfront final copies only at decks.de !!! friendship and the love of good music is what brought mike machine and sirion records together for this special ep. mike machine has quite a wide-ranging horizon of musical experience - from member of a band, student of music & media, video & audio artist, label member, promoter/organizer to dj in clubs. mike has the curiosity and the urge to create in any area of musical creativity and transfers this in exciting and thrilling ways each time anew in his productions. designed multi-variantly, based on an original rhythm and fashioned with individually created elements joker immerses the listener into a world full of energetic surprises. the repetitive, flowing foundation most definitely guarantees a gripping experience in mikes machine. david labeij chose not to play a joker when we met recently and luckily the remix resulted in a quite atypical style thanks to the quite euphoric surrounding. we most surely like it!

2001 compilation from dj skips pushpac records.

jenifa mayanja, respected new york dj, producer and owner of bu-mako recordings, steps into the altered moods collective for an exciting two cut vinyl release, >desire more<. the first side slides into a subtle groove with voices and synthy keys over a beat itching to get you on to the dance floor. then a variety of warm melodies join in, bubbling and be-bopping onto the main cut, a collusion of claps, beats and riffs. jenifa comes back and leads us to a saucy clarinet that could be rehearsing in the next room, unaware of our presence. yet it echoes the feel of the piece, dancing away from and back to the rhythm.

nice price deal !!! federico, already known for his productions on labels such as audio therapy and global underground, offers the theme shout, tech house with strong foundation and leading to tension and rhythm. it features with remixes of fabricio pecanha from brazil.

big with: luciano, loco dice, anja schneider, dubfire, laurent garnier, d julz, daniel sanchez, ryan crosson, simon baker, karotte, mathias kaden, danny tenaglia, stephan bodzin, coyu, tim green, julien chaptal, .. jay hazes bearly legal ep was such a success, but with just two tracks, our circle of producer and dj friends were asking us why we didnt release any mixes! well, ask and you shall receive... >no need for loops< was the original eps b-side, but with positive feedback and play from ewan pearson and ellen allien, weve decided this time to let it have the glory of a-side status with a top-notch rework from ilario alicante (cécille, tenax) who combines a busy, pulsating rhythm with the lulling undercurrent of melody for a hypnotic effect. >take your hat off< gets the remix treatment in the hands of several adept producers: first shaun reeves (wolf + lamb) and duo tale of us (barraca music) team up for a sly, seductive version, while amam label boss alessio mereu offers a punchy, revved up take to give the 12inch some welcome contrast.

2nd ep from the talking album, raw, dynamic, african drumming inspired rhythm tracks.

rmxs by wolf & lamb, fcl and la fleur .fresh from the summer success of his solo ep hold on, dj nibc returns to close the year with his famed collaborative project alongside jonas rathsman, stuffa. following in the footsteps of their 2008 anthem >pretty girls<, stuffa are primed with proof. an infectious slice of uplifting late-night house with dubby twists, thundering piano chords and soulful vocals, enhanced with a selection of remixes from some of electronic musics elite, and with the striking, windswept vinyl artwork of annika berger. the original mix of >proof< is propelled by a skippy tech-house rhythm, while layers of dub reverb weave over, around and about its distinctive vocal snatch, interplaying with it blurred piano chords.

with their first co-production, dj / producer paul woolford and the irish-born producer team paul hamill and dee lievense aka psycatron deliver the prove that uk techno has not lost any of its energy or visionary power in the year 2010. after releases for carl craigs planet e label and r & s (psycatron) resp. 2020 vision or renaissance (paul woolford), the two tracks on the >thunder ep< are consequently moving to the next level. >thunder< impresses with extremely dynamic drumming and always changing percussion patterns. a rhythm body that is constantly in motion and will be enlightening every single dance floor with its hypnotic power dub. >cloud 9<, however, is stepping back at first and stresses an explicit chord techno structure despite its solid pumping elements before integrating some noise rave signals following the epic break after some 5 minutes, as it was totally naturally and thus letting the whole floor blast off. with such joy of telling and the eagerness to experiment in a musical way, you are really looking forward to the winter club season 2010/2011!

own meets the 60s with the naughties. its throbbing drum rhythm and soul-laced vocal make this a certain smash for those hot, heavy and sweaty nights. finally the much shought after remix of riva starr is available on a ltd produced stamped vinyl

nile delta is dancefloor wizard joel dickson, former member of riot in belgium and current member of cutters dynamic-duo, voltage. having spent the past year neck-deep in other peoples music – it was only a matter of time before this, nile deltas debut ep emerged, shimmering, from the water. channel sounds like a late 70s house party. except the house is actually a warehouse and the late 70s are actually the early 90s. an almost paradoxical blend of filtered piano stabs, party whistles, endless delays, a squelching acid lead, horns, bendy-breakdowns, you name it. channel sounds like moodymann at his rawkus best. no party will be complete without this house gem. all this on the flip, sees cut copy bassist ben browning provide an otherworldly vocal hook over nile deltas inescapable rhythm. and the crawling baseline will have your hips doing obscene things. guaranteed. remixes include longtime favourites chicken lips, who take their invincible track record on an italian holiday – and tornado wallace who takes us deep, deep into the night.

piemonts newest release on mbf is in tune with their new more house flavoured trax and twists it slightly.smoking cave conveys new jack feeling with cool vocals meeting each other... clashing nicely and creating a super funky rhythm, incorporated in their own piemont groove. the track is as multicoloured and multidimensional as it possible can be, genre bending, cool, combining so many elements of different genres... it explodes on the dance floor. house djs as well as minimal djs will like these house chords and ascending strings, in the best wild pitch manner.

re-issue of a 1951 rhythm & blues / rock release.

next cadenza masterpiece! just hynotic

nice price deal !!! hotel motel is the project of legendary dj and book author bill brewster (>last night a dj saved my life<) and alex tepper - who produced under various names like liquid syndicate and rhythm n vybe before settling on a long term relationship with phil dockerty under the name futureshock ( junior boys/parlophon).

2010 has seen some juicy, off-the-wall techno/electronic vinyl goodies from the head space of little nobody, including the acclaimed >metropolis how?< and >robota< records - with remixes by the likes of james ruskin, justin berkovi, inigo kennedy, dj hi-shock, si begg, patrick pulsinger and steve stoll. but its the originator of the tracks who continues to push the perimeters, recently leading hi-shock, the prolific innovator behind the essential elektrax empire, to suggest that honestly, i think you are at least a couple of years ahead in your musical vision compared to other producers. little nobodys alter ego andrez bergen has also had his head buried this year in the creation of a hardboiled/noir/sci-fi novel called >tobacco-stained mountain goat<, and it was in the midst of this project - with these heady influences - that the get away from it all 12-inch project came to light. thus we got on board bas mooy (planet rhythm/audio assault) and dave tarrida (tresor/musick) to do the two scintillating re-takes here, which are downright brilliant. meanwhile little nobodys troll, on the flip-side, lives up to its claim: its hardboiled and devastatingly dirty electronica. all up, think streetwise, smack-your-glitch-up techno - dark, uber-bassy, dirty and pulsating - just the way we like it, with sardonic samples and a freestyle, postmodern attitude thats invigorating. matched up with the cool artwork by marcin markowski, this is an essential slab of wax for 4:00 am head-caving techno!

first ep to deymare on trazable recordings, with this fantastic work. there are two original tracks and two remixes of losoul and rio padice. the original tracks are between deep house and disco funk. quality, pace, strength and a lot rythm, the public will enjoy! the remix of losoul, has an electronic base, with a repetitive groove, sounds and rhythms go and back with a unique atmosphere and with excellent sound. the remixe of rio padice, pure house, very sharp bases, and a lot bassline rhythm to the dance floor. indispensable in any case and for all public.

wit recordings is building up a great reputation when it comes to minimal techno. after collaborations with agaric, francisco allendes (aka monomachine), pig & dan, staffan linzatti and someone else it is now time for a new true winner with a real comeback ep from twinphonic aka stephan & vincent de wit (audio assault, planet rhythm, patterns, and zwart recordings) they lay down a masterpiece of sophisticated minimal and tasty techno which makes a crossover between their minimal and pounding techno-sounds.

sehou provides a prime piece of forward-looking nostalgia for metrolines latest release - the cirkus ep. up and coming talented producer from the south of italy, sehou was the man behind the massive track -she makes me wanna dance- released on all inn limited thats been hammered by ricardo villalobos in pretty much all of his sets for the past year. the brutal bass groove of cirkus calls to mind classic era r&s, its choppy vocals and skittering percussion give the track a raw funk, while its smooth pads add a reassuring, warm flow. untitled to her is a relentless robert armani-style workout, with a hint of chi town bubble and funk. driving chords and simple drum patterns give the tune serious momentum, while plenty of breaks in the rhythm and machine gun buildups make sure you dont lose the groove. romanian producer cristi cons aka case sensitive. after dark interpretation is a gloriously meandering, fluid rework. its subterranean bass bumps and heavily filtered synths give the track a brilliantly disorientating feel, while its tense and tight arrangement bring a tense energy.

after his >bare feet< ep dropped out of the blue last summer, max has been delivering track after track to the ramp offices. so dumbfounded we were at the utter breathtaking beauty of this music, that we have no words to describe it. with that in mind, we hand you over to the man himself – maxmillion dunbar.
dj support from huw stephens, benji b & rob da bank

after many huge works in others labels as off recordings, disco royal, natural rhythm, religio audio and many others, supported by loco dice, nick curly, sis, audiofly, shinedoe, dj t., robert dietz, david labeij, dan ghenacia, gel abril, lauhaus, markus fix, andre crom, aldo cadiz and many more … its time for >triangle disco< b< paul cart & manu-l, the debut release of the cool fresh label triangle records, the bright levels issues by the forward producer michele pinna. the release comprises of 2 tracks from paul carts typical style, processing elements like house vocals, organic drums and percussion maintaining ever up the groovy trademark with fat sub baselines and banging breakdowns, and an huge remix from the long time buddy manu-l.

first on decks.de!!! hija de colombia is putting out its second release in the middle of november. after great dj, radio and press reactions on its first release - >loco suenos ep<, there was no need to change much. el nino andres is again the artist, but the music he provides for this releases is a step further in deepness of tech house. anton kordic, who records under the name el nino andres, provides the somophore release, a two track fusion of south american, detroit and berlin influences. title track is a intensive orchestral affair, going for full 14 minutes of drums, big piano hooks and sax layers. b side >illmatico< is a percussion monster, that builds under a catchy organ melody. the cycle repeats every 2 minutes, and tracks subtly builds layers and layers of rhythm.

intense, deep,raw and dirty tracks by marco bernardi. his first release on clone records in a while and what a record! two tracks build around unpolished rhythms and open beginning that dont reveal immediately where its going. quiet unpredictable is the a-side that slowly opens up with a sultry string and then completely bursts open with a shiny melody that is in beautiful contrast with the raw percussion. broken silence is another deep track founded on a basic rhythm and metallic detroit bass line. topped with spoken words (by keith tucker from aux88) and bleepy melodies, underlaid with a deeper sexy bassline. a track rooted in the best traditions of techno... weve played this one over and over! machine music by men!

perfect rhythm, perfect pause, samples used perfectly. its a new bomb for all the djs. yes! simone burrini is one of the freshest artists on the international tech-house scene. now he has been present for years with its production in the rankings of the best djs producer, but every time is always ready to go crazy all the dancefloor. he is the resident dj of suburbia / love to love in rome and mallory records is the label of the club. is the time of its release, three original tracks and one with gabriele carasco.

after four shared releases from the all stars, here comes the first individual output in our label, handcrafted by the scientist duo exium. mantra is an epic piece of techno, based on solid rhythm foundations, joyful synth work and rolling stabs. a complex workout that demonstrates the skill of this guys in the studio. futuristic techno with roots in the past. peter van hoesen takes the original parts of mantra and reconstructs it his very own dubby and fat vein, sure to please those fans of the berghain sound out there. closing the release, lifeform its the trademark exium sound, where sharpness and love to sonic details are the starring. resume: a solid release, away from monotone affairs, made for please the ears of those who love techno in its pureness.

with support by john selway, stephan bodzin, perc, technasia, xhin, tony rohr, dean facer and many more. the catalogue number 013 on the berlin label phunkit records is at the same time the starting shot for the first vinyl release. and exactly this one shows down-to-earth techno from the capital, elaborated and cunning, by the artist duo takt tick. the actual overhead conveyors and host djs from the tresor club present trend-setting productions. the name >u1< is, brought to the point, a little journey through the time of berlins underground. the a1 side sends the listener on a trip which is coined by dynamical passages of highs and crispy bass parts. uncompromisingly does the rhythm chase around the focused, flogging consonance and the slowly modulated intervals with short breaks. on the b side: >whisper<, a subtle peak-time monster which does not know any kind of holdup, full of energy and only waiting for the chance to make the strobes lose their wind. >black worms is a b2-bomber for sure. with its dusky sounds, it is solidly rolling without downward movement. shady, resonant, consequent and remorseless.

cabin fever is proud to present the first of two rather special 12s of strictly rhythm classics re edited by radio slave. officially licensed and to be released as part of a forthcoming double mix cd, the first of the 2 x 12s contains two bonafide classics from the strictly vaults reworked for modern dancefloors

here we have yet another vinyl release to supplement the highly anticipated cos/mes album. while the first three singles boasted massive a-sides backed with incredible remixes, this release contains two exquisite album cuts deserving their own slab of vinyl. natural lifespan (acid orchestra mix) is a slice of pure bliss, a mid-tempo jam to which you can hug your friends as the sun rises. on the flip, i-bizan (build the progressive band) rides a stomping and tainted rhythm into a dark den of iniquity. pass the lotion

new yorks elon provides metroline with yet another very fine release. clap back is a real gem. the original mix has a beautiful spacious and airy mix that allows the echo-soaked toms and the swirling vox stabs to breathe, and they really draw you in. an insistent bass pulse provides a structure for the snappy post-garage percussion to build into a lurching, lunging rhythm. very original, and very infectious. ekkohaus remix is a focused, driving deep house groove, shaped around lush, rounded stabs and heavily-filtered synths. claps and snare emerge from the beautifully balanced mix to give the track a real disco kick. the third track on the ep zero gravity has a more back-to-basics feel. the bassline is dubby, but the percussion has a classic french touch feel that gives the track real movement. a rhodes-like synth line wraps itself round the track like a warm fuzzy blanket. maximum comfort for house heads.

stanislav sevostyanikhin returns under his kontext guise with four tracks of tightest dubtech minimalism on immerse. these are his first konext productions since the impressive >dissociate< album, continuing a trajectory into widescreen dub techno and clipped, post-dubstep rhythm programming. >no more room in hell< combines the luscious atmospheres of pendle coven or bvdub with subtle glitching rhythms, while >daphnia pulex< adds glassy electronic melodies and padded subs to the equation. most interesting of all is >sattva<, rolling raga drones into his morphing dub chords and crafty future garage stabs, kinda like pole meets farben on a dusky autumnal evening. if you ever wanted a more reduced ramadanman, or a glitchier appleblim, this is well worth checking...

numan khan from manchester is a new artist for planet mu with an original musical style that mixes dubstep and grime influences with an idiosyncratic take on rhythm to great effect.
this four track ep showcases his styles from the a side with the lush melodic accordian and snes melodies of >race against time<, to the slower, disco influenced >photograph<.
the b side starts with >voodoo<, which combines grimey bass and strings with offbeat drums to odd, driving effect and finishes with >xx< which sounds like a long lost golden era 8-bit grime instrumental but with deft production tweaks and fx that keep it interesting and effective.

first on decks.de !!! advanced electronics with an distinctive argentinian touch.
a1: liquen - a wide range of experimental yet carefully chosen sound structures framed by a massive rhythm section - south american new school techno which is gloomy and beautiful at the same time.
a2: neutro - motorized intensity focussing on a unique variety of obscure twisted synths - haunting sound art for minimal diehards.
b: rain cover - a deeply refreshing slice of minor-key-based musical stimulation, dominated by plain rhythmic patterns and riddled with subtle sound effects.

steve laviers motivators collective return with their second release on the excellent here and now recordings! following on from the success of the first 12 (which included jobu being licensed to the legendary jazz bizniz compilation series and a remix by reverso 68) these new tracks continue in the vein of raw, live, polyrhythmic grooves. on the a-side, boosters on is a driving energy-packed track with the former manu dibango rhythm section of noel ekwabi and conti bilong being impressively complemented by yam whos des morgan on congas and bongos. keys are provided by afrika mhkinse (who played with the late great miriam makeba) and faze actions multi-talented rob lee. trombone is laid down by tony trombony hayden who has played with numerous acts including quantic soul orchestra. last but by no means least, vocals come courtesy of hannah khemoh who has most recently been touring as backing vocalist for the incomparable grace jones! on the flip, r2 is a laid-back improvised afro-jazz session, with the musicians laying down some serious feel-good sounds. all this produced by rob lee in the faze action studio.

deeply rooted house is proud to present >the many roots ep< by berlins own mike dehnert. mike is not only the resident dj of one of berlins legendary clubs but he also owns the excellent fachwerk label. this release features four tracks that are great examples of mikes diverse talents: starting with the hectic >timber framing< that delivers a pure raw and dramatic dancefloor energy madness. moving next with >the march<, an unstoppable stomping groove that djs will love to mix. continuing on the flip side is the deeper and haunting >deep routes< followed by the hypnotic >roots talk< that takes you on a mental rhythm journey

nice price deal !!! antennae international present >all the engines< from chicago producers josh werner (former partner of dj sneak on strictly rhythm, force inc. & relief records) & steve hitchell (of echospace) with their long running collaborative project. a modern look at the jak track aesthetic, the original mix melds boomin 808 and crispy hats with a slippery, funked up bassline while the flip tamps down the bpms to a swingin 116 and amps the analog machine funk in the sleazy turbine mixx. the release rounds out with the atmospheric soundscape of >retrofit< drenched in reverb and subterranean bottom.

2nd release from seiji his new label, setup to release his own productions on vinyl. 2 more corkers on here, straylight sitting somewhere in the funky corner with a direct house rhythm and rave-ish chords.weedkiller blows out any blunted cob webs with straight up seiji bass filth.tip!

hot backstock action !! back from 2002, this massive 4 track vinyl rocks in every moments. confirmed real house tracks

the house nerds with 2 killer tracks for lovers of rekids & cabin fever. mystery bells >down deep and dark< went the name of an old strictly rhythm compilation and thats a pretty good description of mystery bells. 909 beats propel this monster along with the payoff coming via a big-room breakdown. follow that with a variety of skippy sp1200 drum programming to finish it off. (did we mention the bells?) huge. library session no. 4 is bouncy proto-garage mixes together with spaced out vocal samples and some serious chordage. channeling old downtown 161 vibes into the present day, the nerds provide a nice counter-measure to the darker sounds of mystery bells.

top notch hybrid rhythm and blues with a rock edge

influenced by distorted electro sounds, to orchestral,jazz and blues pieces such as shostakovich and tom waits,he presents his first record,3 twisted and rocking tracks on archibell records.the first track right in the spotlight is >tokamak< a track with a dark kick and grind, featuring layered synths and vocal samples that break and drop with attitude.no time for intros this track hits hard and fast and leaves unexpectedly. next up is >g.i.g.a.s<, defined by its epic breaks, driving melody and sudden mood swing.perhaps the less sinister track out of the three, probably to give you a break for whats coming up next. unlike tokamak, nyxstarts with a slow baleful, classically influenced intro filled with suspense. eventually dropping into a deep atmospheric hard hitting groove. evil rhythm crafted with precise microsampling.

what a strident effort at night in cologne-hattan. chris baumanns profession is that of a sound-fiddling flame thrower. his tracks in this case as a limited, grey-marbled vinyl are pleasant deep house/house blueprints made for memorable late night club sessions with escapist floor excesses in the open rhythm scope of house, tech house and dub techno.

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.